Retreat is part garment-making, part artistic endeavor. Each handmade item is taken through a meticulous programming and threading process intended to experiment with code, patterns, typography and geometric shapes. The result is unique clothing items which can be ordered as they are or crafted as custom-made pieces.
Electronic machine knitting allows for patterns and drawings to be almost “printed” in textile. We sketch and draw by hand, convert our sketches into digital art, then knit. The fabric is transformed into clothing - and sometimes into art pieces or installations. Retreat investigates the connection between craft, home-made textiles, unpaid labor and women’s competence with technology.
Our work began during the pandemic when digital designer Cristina Talpa took a break from her full-time job and focused on artistic work. Knitting and crafts has been part of her interests and also ran in her family. Her mother knit pullovers during the Moldovan ‘90s economic crisis and her grandmother wove and produced carpets.
We are inspired by artists like Louise Bourgeois, Faith Wilding and Rosemarie Trockel, who employed knitting and crocheting as both a material and a feminist tool, connecting the history of craft as “women’s work” to that of repressive domesticity.
Electronic machine knitting allows for patterns and drawings to be almost “printed” in textile. We sketch and draw by hand, convert our sketches into digital art, then knit. The fabric is transformed into clothing - and sometimes into art pieces or installations. Retreat investigates the connection between craft, home-made textiles, unpaid labor and women’s competence with technology.
Our work began during the pandemic when digital designer Cristina Talpa took a break from her full-time job and focused on artistic work. Knitting and crafts has been part of her interests and also ran in her family. Her mother knit pullovers during the Moldovan ‘90s economic crisis and her grandmother wove and produced carpets.
We are inspired by artists like Louise Bourgeois, Faith Wilding and Rosemarie Trockel, who employed knitting and crocheting as both a material and a feminist tool, connecting the history of craft as “women’s work” to that of repressive domesticity.